Since learning a few days ago both that the first two season of Garfield & Friends are on Netflix and that they’ll cease to be there come the end of the month, I’ve seen rewatching mostly the second season, trying to see how much of it I can remember watching on TV as a kid(I suspect much of what I saw was the later seasons, but there are some episodes of this one I remember watching). I do wonder why its quality on Netflix is so poor, though; it looks like they ripped if off some set of old homemade VHS cassettes-was there really no better prints available anywhere?
Like everything one experiences as a kid, the individual cartoons in each episode-there were three per episode roughly seven and a half minutes in length each, plus shorter one-minute “quickies”-seemed much longer and their stories more complicated then than they really were. Also it’s only rewatching that I see how many musical numbers there were; at least one per episode and sometimes more. Perhaps there seem to be more of those because they sometimes weren’t very necessary and/or very good. But the show still is funny, sometimes even fall-over-laughing funny. At one point I wondered at the relative lack of parental bonuses(although there was one Sondheim reference!), but they aren’t needed; there’s still plenty for the adults to laugh at. Some of the cartoons are funnier than others, although I haven’t paid that much attention to who wrote what.
The lack of female characters does feel annoying now, though, and when so far the second season doesn’t seem to have that much of Arlene, and not that much more of Liz either. Of course, part of the reason I didn’t mind as a kid was because back then I thought Nermal was female…
Also, as a kid, I often recognized the quickies as direct adaptations of actual Sunday strips if I happened to know those strips(including an adaptation of my favorite Sunday strip of all time, though I’m pretty sure that one was done in a later season), but now I can spot when they probably were, and also recognize them even when elements have been changed for adaptational purposes. At one point I wondered even if all the quickies were adaptations, but there’s at least one I saw that’s definitely not, since it directly referenced the cartoon beforehand(it was also a screamingly funny one, btw).
Unfortunately I’m probably not going to get everything watched before it leaves Netflix. Is it available anywhere else?
If last year was a demonstration of the power of the gay vote at Eurovision, then this year, despite the indications the contest is running with that now, between the heavy use of Conchita and the clips of gay couples in the opening, is a demonstration that sometimes it doesn’t have that much power. I doubt they were that thrilled at the contest coming down to the Russian singer and a homophobic Swedish one, however much PR damage control he’s been doing since getting caught(which he probably felt he had to do to compete, because of aforementioned gay vote). Although Mans Zelmerlow was definitely the lesser of two evils winning, both because hey, his song actually was the best of the night, and also because it’s far better for the contest to return to Sweden than to Russia. Perhaps the gay vote was responsible for the Italian opera tenors coming in third, though, and when they really shouldn’t have; they may have been hands down the best singers of the night, but the song had no substance.
And really, the night was still owned by last year’s winner. Conchita was in her element as hostess and singer both; she actually impressed me a lot more this year than last. And she even took the high ground, being remarkably nice to the Russian girl whose only real crime was probably to be a pretty good singer, and even to the winner:
The King and Queen of Europe-an odd couple indeed.
Sadly, the night was also a reminder that the more common non-gay-related voting issues of Eurovision are still far from gone, especially given the toll taken on the earlier and/or Western European songs(the French song deserved a far better fate). One supposes that’ll never go away.
So after we all spent the better part of a day being anxious about a rumor that they were going to remove ice dance from the Olympics, even though that never made sense(U.S., Russia, and probably Canada would all be against it, plus it would hurt the team event, and would Speedy really let that happen to his baby?), the IOC and the ISU have both said the rumor isn’t true. I have now seen at least one conspiracy theory claiming this is Didier Gallaghuet trying to scare people into electing him ISU president. Even so, I believe a few examples are in order of why ice dance should remain in the Olympics in 2018, 2022, and for as long as the Games go on. Or maybe an entire alphabet’s worth:
After last night, two hours does seem a bit long for this finale, but at least they start it spectacularly, with an opening number take place outside in front of the bleachers! The eliminated couples are all back, and each get their moment to dance, before the finalists come out at the end. They will later do the 24-hour fusion challenge, but first there are recaps, and also performances, in both the ballroom and on the round ounoahtside stage, including:
The finals are here, the most competitive final ever, they all say. I’m not absolutely sure about, especially with only three couples dancing tonight again, but it’s a good one, even if with the reduced field and no elimination it only lasts an hour tonight. The couples march out in familiar looking costumes; looks like the first round goings to be reprises. Indeed, it is, with the couples choosing which of their past routines they do again:
Really, the movie’s out, the TV season’s wrapped up, everyone’s gotten through the Netflix series by now, and nobody really cares about that Ant-Man thing coming out…whenever it’s coming out; I haven’t even looked yet. Couldn’t we all calm down and focus on other things for a while?
Nope. It’s kind of crazy to think less than two weeks after Age of Ultron comes out Civil War has started filming *already.* Logically it makes sense enough; it takes a while to make movies, after all, especially if they have lots of special effects, but it still feels crazy. And there are photos leaking way too fast; more Natasha already? At least she looks good, but she always does.
And as if that wasn’t enough, we’re getting news about the second season of Agent Carter. Although it is really strange to be reading all about that when reports are going on about Civil War filming a scene that sure as hell sounds like Peggy’s funeral. That this final Captain America movie would contain such a scene is hardly a surprise, though; from the time it didn’t happen in Age of Ultron I’ve suspected Civil War would open with it.
Not sure how I feel about this move to LA for the second season. I suppose this TV series is trying to avoid being predictable or repetitive, and I generally trust they’ll tell us a good story at this point. But there’s a lot about NYC to miss, especially the other characters, and especially Angie. Though Howard Stark being Howard Stark, I’m sure he and Jarvis both can show up anyway. But can Peggy at least stay in touch with Angie or something?
At least it’s good to see not only the #DiversifyAgentCarter movement, but to even see Hayley Atwell supporting it, Now if that could just get some practical results…
Second results show of the season, and this one’s going to take some stretching, with only four couples left. At least they’ve got a lot to recap. Starting, of course, with Noah’s proposal, and we get a review of the ballroom’s reactions, and an interview with the newly engaged couple, and we learn that while only the producers knew about the proposal beforehand, Noah did alert Riker and give him a chance to object, since he was dancing next, but thankfully he felt he could follow it fine.